Cade, Octavia. “Confronting the Minotaur: Gender, Reconciliation, and the Labyrinth in Fantasy Literature.” BFS Journal. Forthcoming.
Cade, Octavia. (2019) “Moonlight and Silver Bullets: Twentieth Century Racial Purity in Werewolf Films”. In Frank Jacob and Verena Bernardi (eds.) All Around Monstrous: Monster Media in Their Historical Contexts. Wilmington, DE: Vernon Press, pp. 127-146.
Cade, Octavia. (2019) “Spring Again: The Problem of Evil and the End of Winter in C.S. Lewis’ Narnia”. In Francesca T. Barbini (ed.) A Shadow Within: Evil in Fantasy and Science Fiction. Edinburgh: Luna Press Publishing, pp. 231-247.
Cade, Octavia. (2018) “Sacrifice in Susan Cooper’s The Dark is Rising Sequence.” BFS Journal. Number 19, pp. 66-75.
Cade, Octavia. (2017) “Nature as Creative Catalyst: Building Poetic Environmental Narratives through the Artists in Antarctica Programme.” In Nicholas Holm and Sy Taffel (eds.) Ecological Entanglements in the Anthropocene. Lanham, Maryland: Lexington Books: pp. 159-176.
Cade, Octavia. (2016) “Agency and the Consequences of Creation in Mark O’Connor’s Reef Poems.” ISLE: Interdisciplinary Studies in Literature and Environment. Volume 23, Issue 1, pp. 92-104. http://isle.oxfordjournals.org/content/23/1/92.full
Cade, O.J. (2016) “Sifting Science: Stratification and The Exorcist.” Horror Studies. Volume 7, Number 1, pp. 61-72.
Cade, O.J. (2015) “‘I Close the Mima’: The Role of Narrative in Harry Martinson’s Aniara.” Scandinavica. Volume 54, Number 2, pp. 91-114.
Cade, O.J. (2014) “Witnessing the Waste Land: Sight, Sound and Response in Edith Sitwell’s ‘Three Poems of the Atomic Age’.” UnderCurrents: the Journal of Critical Environmental Studies. Volume 18, pp. 18-24. http://pi.library.yorku.ca/ojs/index.php/currents/article/view/38540
Cade, O.J. (2011) “Both Communal and Private: Access and Subversion of Access to Poetry in the Virtual Environment.” Experimental Poetics and Aesthetics. Number 1. http://www.waikato.ac.nz/fass/experimentalpoetics/2011/
Cade, O.J. (2011) “Nature, Science and Technology in the Poetry of Cilla McQueen.” Ka Mate Ka Ora. Issue 10. http://www.nzepc.auckland.ac.nz/kmko/10/ka_mate10_cade.asp
“Living and Reading the Apocalypse: Ecological Disaster and Science Fiction.” At CoNZealand (July 2020).
“Eco-Horror, Mutation, and the World Without Us.” At Superheroes Beyond (Melbourne, December 2018).
“Re/Constructing Natural History Through Travel Literature.” At New Historians (Wellington, August 2018).
“Seagrass Disturbance, Fragment Recovery and Recolonisation of Zostera muelleri Beds at Raglan Harbour, New Zealand.” At ERA 2016: Restoring Resilience (Hamilton, November 2016).
“From Peasant Mob to Supported Laboratories: The Scientist in Horror.” At New Research on Horror (Dunedin, November 2016).
“Galileo and the Surgeon General: Politics and Science in The West Wing“. At Revisiting Audiences: Reception, Identity, Technology (Dunedin, June 2016).
“New Zealand Restoration of Antarctic Huts: Hillary, Heritage, and the Most Distant Museums in the World”. At Finding New Zealand’s Scientific Heritage (Wellington, November 2015).
“From the Sky to the Stage: Galileo in the Theatre”. At Science and Society (Berkeley, November 2012).