The Mythology of Salt and Other Stories

I have a new book out! The Mythology of Salt and Other Stories is my first short story collection, and it’s published by Lethe Press. Just look at that beautiful cover!

A collection of short stories themed around women and knowledge, The Mythology of Salt and Other Stories is full of poignant moments. Scientists and ghosts, the natural world and mythology, all meet and circle one another in choreography at times aspiring, at times melancholic.

That’s what it says on the back, anyway. There are eighteen stories in here, some of which you might have read in places like Shimmer, Strange Horizons, Kaleidotrope and Liminal Stories. There are also a couple of stories – “In the Shadow of Yew Trees” and “The Knife Orchard” – that are completely new and previously unpublished.

My favourite story in here is “The Atomic Hallows and the Body of Science,” which mashes up elements of the Arthurian waste land with the development of the atomic bomb. I’m also very glad to have reprinted in here “Cuckoo,” which was one of the first stories I ever had published (and the only vampire story I’ve ever written). It remains one of the stories I’m most happy with.

You can get The Mythology of Salt at Amazon, Barnes & Noble, and of course at Lethe Press.

Humans as Ecological Actors in Post-Apocalyptic Literature

I have a new paper out! “Humans as Ecological Actors in Post-Apocalyptic Literature” has been published in MOSF Journal of Science Fiction, in their special issue on environmental SF. This is also the first paper I’ve ever co-written, and my fellow author is Meryl Stenhouse. It was a really enjoyable writing experience, so I think we’re going to work together again once we can figure out our next topic!

Post-apocalyptic literature is frequently environmental in nature, or explores significant ecological impacts. These affect the surviving human and nonhuman populations, and are characterised by scale. While some of the apocalypses of science fiction literature are limited to the destruction of a single species – as occurs, for instance, in P.D. James’ The Children of Men – others, such as Cormac McCarthy’s The Road, illustrate an environmental collapse that destroys entire ecosystems.

Human response to apocalypse occurs on both an individual and a communal level, but that response, within the literature, tends to focus more often on social or economic consequences. However, the ability of humans to further shape their natural environment tends to be heightened in environmental apocalypse, as compromised ecologies become ever more vulnerable to human activity. The ability of humans to function as ecological actors, as shapers of surviving ecologies, is therefore not only a fundamental – if frequently underexplored – part of that narrative, but it also indicates potential pathways for real-life response to ecological apocalypse.

Notable, in the post-apocalyptic narratives explored in this paper, is how the impact of human behaviour on environment is dependent on apocalyptic scale. The construction of refugia, the realignment of surviving communities to sustainable practices, and the increasingly destructive human presence on ecologies incapable of reclamation contrasts with, for example, the increasing nonhuman biodiversity that can follow the widespread destruction of the human population.

Year’s Best Aotearoa/NZ SF&F, Volume 2

This must be one of the most gorgeous covers I’ve seen recently! It’s by Laya Mutton-Rogers, who has done an absolutely beautiful job.

New Zealand hosted WorldCon this year, or at least it was supposed to (thanks to pandemic, the whole thing went virtual) but anyway: this, the second volume of Year’s Best Aotearoa New Zealand Science Fiction & Fantasy, was designed to coincide with the convention, in an effort to introduce more people to Kiwi speculative fiction. I was lucky enough to have a story in the first volume, so I was just as delighted to have a story in the second.

“Inside the Body of Relatives” was originally published last year in Asimov’s. It’s a story about an elderly woman and her artificially intelligent house. It’s a very quiet story, with no AI going rogue or anything like that – just a house programmed to be kind trying to get its increasingly lonely owner to socialise more. Which she does, eventually, but not in any way the house expects. It’s evolutionary biology to the rescue, and the story itself developed from one of those nights when I was tucked up in bed, listening to the rain on the roof and contemplating building materials. Which I don’t do very often, but in this case it all came together nicely.

Thanks to Marie at Paper Road Press for publishing one of my stories again, and if you’re interested in this lovely book, you can find it here.

The Birth and Death of Islands

I have a new story out! “The Birth and Death of Islands” has been published in Kaleidotrope. I’ve had a couple of stories in Kaleidotrope before, and they’re one of my favourite markets. They have this aesthetic combination of weird and pretty that I really love – and I think that might be my polar bear on the cover art, I really do.

Not that my story is about a polar bear, though one does feature. “The Birth and Death of Islands” can be charitably described as “The Little Mermaid” meets the Black Death, except here the Sea Witch, the sole survivor of plague, is repopulating the world with islands and creatures fashioned out of the buboes that keep erupting from her weird and grotesque flesh. These creatures include mermaids and a loyal polar bear, both of whom upend the experience of disease that so constantly traumatises the contaminated protagonist.

I’d like to say that this is a well-crafted piece of metaphor that I wrote in response to the current pandemic, but the truth is I sold this back in 2018. Fred Coppersmith, the editor of Kaleidotrope, buys stories well in advance, so if one of us is seeing the future it isn’t me. Anyway, the story’s free to read at the above link, so have fun with its disgusting details and disintegrating mermaids.

Resilience

I have a new story out! “Resilience” has been published by Stuff, and is free to read at the link there. It’s the second in a series of cli-fi shorts commissioned by Stuff, so it was a lovely surprise to get that email from them. They said they were looking for a more positive story about the future, and how it might play out in a changing climate. They also said it had to be family friendly, which I admit gave me brief pause. (There’s often more than a touch of horror in my stories, and so when I heard “family friendly” my first reaction – thankfully internal – was “No killing characters off this time, then.”)

So I came up with this story about two kids, Coral and Elsbeth. I reckon they’re about ten years old. Anyway, they meet each other one summer day and run off to play hooky, messing about on the beach and discovering the nesting sites of some very special birds. The emphasis on conservation is going on in the background, really, with the urban landscape they live in having undergone an enormous ecological makeover. Increased biodiversity increases resilience, remember, and with climate change likely to inflict significant disturbance on our ecological systems, supporting biodiversity in our environments is one way of building healthier and more sustainable ecosystems.

And there’s some art to go with it too. Isn’t it pretty?