SFF, Short stories

Year’s Best: Pollen and Salt

I’m happy to say that one of my climate fiction shorts, “Pollen and Salt,” has been reprinted! You can find it in the inaugural volume of The Year’s Best Science Fiction on Earth, edited by Allan Kaster. I have to admit that even though I basically grew up on Star Trek as the epitome of science fiction, my own scifi is predominantly set here on Earth. It’s not that I don’t still love space travel and alien worlds; it’s just that what’s happening on this world is what I’m most invested in. The changes taking place here, and the changes coming. I’m really pleased to see an anthology that focuses on that, and it’s wonderful to be in it.

I will say, of all the reactions to this particular story, I’m most interested in how people perceive the protagonist. The story’s told by a first person narrator, and they talk about how much they miss their dead spouse, and how affected they are by the changing environment of the salt marsh, but as far as I recall there was no real indication as to the gender of either of the people involved. Every so often a reader reaction or review indicates that they think the protagonist is a man or a woman (I suppose nonbinary would also be a valid interpretation, although I haven’t seen that one yet.) Same with the spouse. Honestly, it doesn’t matter. No matter your gender, you’ll grieve when someone you love dies.

I can’t honestly say that ambiguity was a deliberate choice on my part. I noticed it later, and thought might as well keep it in, but I’m enjoying seeing how people choose to interpret it. I have my own opinion, of course, but there’s no right answer. People can read into it what they want.

SFF, Short stories

Pollen and Salt

I have a new story out! Well, it came out a couple of months back, but I’m playing catch-up here. “Pollen and Salt” is available in the July/August issue of Asimov’s. I’ve had a few people contact me to say nice things about it, which is lovely, as it’s something of an experiment on my part.

The story, you see, doesn’t have much of a plot. It’s more a mood piece, set in the near-distant future, where a scientist is studying pollen at the edge of a rising ocean – pollen in salt marshes, mud flats, littoral spaces and so forth. The pollen is a record of past vegetation, and as they work the scientist is mourning their partner, who has recently died. It’s a meditation on change, more than anything else, and I was trying to create a story that was sad and quiet and still very aware of the beauty and potential of that new world, even when the parts of it that were loved are gone. Also, there’s a goose.

So, something of an experiment on my part! I don’t know that I’ll write a lot more stories like this in the future, but I worked on this one for several years, and I’m genuinely pleased with the result. If you can, please take a look!