I’ve a new story out! “Kelp” has just been published in issue 87 of takahē. One of New Zealand’s long-running lit markets, takahē is I think the first speculative story I’ve ever placed in a literary journal!
“Kelp” is a quiet little post-apocalyptic story. One scientist in a boat, studying kelp to try and cope with the end of the world. As far as the scientist knows, he’s the only one left alive and the science of his life’s work is something to put his back against, to try and give structure and meaning to his existence.
The kelp was thick and it was strong. It didn’t rip easily away from its substrate, not like him who floated on the ocean, who had nothing but anchors to keep him in one place. Any holdfast he might have had had been eaten away by virus.
Rock gave way sometimes before holdfasts did. He’d seen the kelp, washed up or floating with a chunk of rock attached to the base, and he’d wondered how strong the waves had been to tear it up. More often, he’d seen holdfasts eaten away, weakened by parasites – by worms and by molluscs, even, though shellfish had never been his interest.
He’d come to study parasites of another kind, those that caused galls, eukaryotic. He’d wanted to map the spreading of them around the islands, from one population to another. But the study had been limited – enough for two, over a season of summer months.
He began to study the worms, to bring them up and put them in alcohol. To build a survey. If he didn’t work, he wasn’t a scientist any longer.
Without science, there was nothing left…
“Kelp” is the third story of mine set in this post-apocalyptic world (two post-, one pre-). It’s a project I’m working on where the only people who survive a sudden, deadly plague are a small handful of Antipodean scientists who’ve managed to live through disaster only because their fieldwork has taken them to places so isolated they’re out of contact with the general population.
Science is so often the culprit in apocalyptic narratives – it’s used to build a bomb or a virus or fails to save from a meteorite, for example – that I wanted to write a post-apocalyptic environment where it’s a uniquely positive experience. Something that brings people together and allows them to find satisfaction and purpose in what’s left behind.
I’m not sure yet if this universe is going to be a short story collection or a sort of braided novel where the characters come together in various ways. Still, it’s fun to play with and that’s the main thing.