Novellas, SFF

The Impossible Resurrection of Grief

My new book is out! The Impossible Resurrection of Grief is published by Stelliform Press, and it’s more climate fiction from me. This time, though, I’m focusing on the idea of ecological grief.

With the collapse of ecosystems and the extinction of species comes the Grief: an unstoppable melancholia that ends in suicide. When Ruby’s friend, mourning the loss of the Great Barrier Reef, succumbs to the Grief, the letters she leaves behind reveal the hidden world of the resurrected dead. The Tasmanian tiger, brought back from extinction in an isolated facility, is only the first… but rebirth is not always biological, and it comes with a price. As a scientist, Ruby resists the Grief by focusing her research on resilient jellyfish, but she can’t avoid choosing which side she’s on. How can she fight against the dead and the forces behind them when doing so risks her home, her life, and the entire biosphere?

The book’s had some pretty good reviews! You can find a selection of them from The Chicago Review of Books, Locus, Ancillary Review of Books, and The Spinoff Book Report.

You should be able to buy or order the book most places (please consider ordering through your local bookstore!), and you can find all your buying options either on my book page here or at Stelliform.

Novellas, SFF

Pre-Order: The Impossible Resurrection of Grief

I have a new book coming out! The Impossible Resurrection of Grief is a novella from Stelliform Press, and it’s due out on May 20th. You can pre-order it at the link there.

Before I tell you anything else about it, just look at that cover. Isn’t it gorgeous? The cover artist is Rachel Lobbenberg, and she’s done an amazing job. If you look closely, you can even see the grumpy eyebrows on those little flying rock wrens!

Stelliform’s focus is climate fiction, which is something I’m enormously interested in. When I saw their call for novellas last year, I was determined that I would have to write something for them – I ended up writing this book during my time as artist in residence at Massey University/Square Edge, and I’m truly grateful for their support. My time as artist there was affected pretty strongly by pandemic, and I spent a lot of it in lockdown. One thing I noticed was the odd news article about how many people in lockdown were logged into nature cameras, such as those down at the albatross colony just outside Dunedin. People were feeling nature-deprived, and it struck me that as climate change accelerates and biodiversity plummets, the phenomenon of ecological grief (which is beginning to get some attention in academic circles) might become a more significant part of daily life.

In the climate-affected future of Grief, this is exactly what has happened. The Great Barrier Reef has died, and the repercussions of this, and of all the other ecological absences, are felt through a phenomenon known simply as Grief. But in out of the way places, some scientists are working to bring back to life some of the creatures that have been lost…

 

Food, Horror, Novellas

Food and Fairy Tales win at the SJV awards!!!

I have had a fantastic weekend. I spent it down in Taupo, at LexiCon – New Zealand’s national SFF convention. I was on two panels: with Seanan McGuire and Meryl Stenhouse on Ecosystems in Science Fiction; and with Meryl again and Cat Langford on Writing Science, Writing Science Fiction. They both seemed to go well, got lots of comments and questions and the people who came up to me afterwards were very complimentary, which was kind of them as I’m not the best public speaker in the world and I’m afraid it showed. But still! I was pleased to make the effort, especially given how well LexiCon went. As a convention it was small but perfectly formed, being exceedingly well organised. Everyone was friendly and excited and happy to be there which is exactly how a convention should be.

But the big news – for me, anyway – happened on the last night, just before the closing ceremony, when the Sir Julius Vogel awards were held. These are our national SFF awards, named after a 19th century Prime Minister who wrote feminist science fiction, and they’re handed out every year. I was nominated in two categories: best novella/novelette for The Convergence of Fairy Tales, and best fan writing for my series of columns on food and horror, both of which were published last year by The Book Smugglers.

I was lucky enough to win both! So I have two lovely new trophies to sit on my bookshelf. (I was also really pleased that A.J. Fitzwater won the best short story category for “Splintr”, which was well deserved.)

I’m super grateful to everyone who voted for me. The competition was very strong, especially in the novella category. I didn’t expect to win, but it seems horror is more popular in the NZ fandom than I thought! So much thanks to my fellow kiwi fans, to the SJV organising team, and to Thea and Ana over at The Book Smugglers for all their support!

Horror, Novellas

The Convergence of Fairy Tales

convergence2I have a new novella out!

The Convergence of Fairy Tales is a horror story published by The Book Smugglers as the first in their new novella series. It’s really a mash-up of sorts, where five different fairy tale princesses – Sleeping Beauty, the Snow Queen, Snow White, the Frog Princess, and Rapunzel – are facets of the same person. That person wakes, as the original Sleeping Beauty does, with a baby sucking the needle from her finger. How the princesses deal with their rape and forced motherhood – and how they wreak bloody vengeance within the confines of their own stories, aided by poison apples and mirror fragments, by long hair and glass coffins and golden balls – is something I really wanted to explore.

The Sleeping Beauty woke with a heartbeat between her legs. That was what dragged her out of the sticky swamp of enchantment, of curses and nightmare dreams – a red beat, one centred in her cunt and pulsing. It anchored her as fishing line, hooked into her flesh and hauling upwards until she broke the surface of her sleep and woke to a world so much different than before.

Her eyes were sticky-shut, the lashes glued together. It took work to open them and then the sun was so bright, shining through her tower window, that the Sleepy Beauty promptly closed them again to let herself adjust to the light glowing pink through her lids. It was in that moment, floating just above unconsciousness, that she began to feel more than flares and fish-lines.

The sheets were wet. Damp, really, with the sour odour of sweat, especially in the space around her hips where she could feel the liquid pooling, feel the heaviness of the sheets against her skin. She tried to move, to shift out of the damp spot – had she wet herself, had her bleeding come early? – but it hurt to move and there was something between her legs, something soft and wet and spongy. Her lower back felt as if she had been beaten, and there was a tugging at one finger.

And really, look at that cover. It’s by the fabulously talented Kristina Tsenova (who also did the cover for my short story “The Mussel Eater”). How can you not want a book with that cover?

The Convergence of Fairy Tales is available at Amazon and Smashwords.

Novellas, Science, SFF

The Ghost of Matter wins SJV!!!

ghost-of-matter_cover_medThis last weekend was New Zealand’s national science fiction convention, Au Contraire. It’s also when the Sir Julius Vogel Awards are held. The Ghost of Matter was nominated for best novelette/novella, and I’m pleased to say that it won!

I was so convinced it wouldn’t that I hadn’t prepared anything to say, and had to stumble to the front to receive the trophy before gaping hopelessly at the audience. I don’t think I was very coherent, but at least I was brief. If it wasn’t clear then, I shared the category with five other fantastic stories, and any one of them could have won. Thanks are due to my editor Marie at Paper Road Press, who helped turn the draft into something a little more well-considered. I’m happy to report that the Shortcuts collection, of which The Ghost of Matter is a part, also won best collection, as well as best artwork for Casey Bailey’s amazing cover.

If you haven’t read it, The Ghost of Matter is about New Zealand’s most famous scientist, Ernest Rutherford. There’s an excerpt available free to read at Paper Road Press, and it’s available to buy there and at Amazon.