Novellas, Papers, SFF, Short stories

2014 In Review

It’s been a busy year, writing-wise. First – and most important! – my PhD thesis has been completed and accepted. Thank fuck. One of the case studies, “Witnessing the Waste Land: Sight, Sound and Response in Edith Sitwell’s ‘Three Poems of the Atomic Age'”, has been published in UnderCurrents: the Journal of Critical Environmental Studies.

I’ve also had my first novellas published. Trading Rosemary (January) and The Don’t Girls (October) were both published by Masque Books. I’ve also self-published two others: The Life in Papers of Sofie K. and Vita Urbis.

On top of that, I’ve had three short stories published: “Vita Urbis” (a short story that would later grow into the above novella) in the urban fantasy anthology Twisted Boulevard by Elektrik Milk Bath Press. Also “Tommy Flowers and the Glass Bells of Bletchley“, which was published in The Dark Magazine, and “The Mussel Eater“, published by The Book Smugglers.

If I’m perfectly honest, I’m fishing for awards nominations. A long shot, but it would be nice. I’m focusing primarily here on two pieces: Trading Rosemary and “The Mussel Eater”.

The Sir Julius Vogel Awards, for speculative fiction by New Zealand writers, are handed out every year Down Under, at the National Science Fiction Convention. As far as I understand, it’s free to nominate and you don’t have to be a Kiwi to do so. Both TR and TME are very NZ focussed – the first is eligible for the Novella or Novelette category, the second is eligible for the Short Story category. Nominations, if you’re feeling kind, can be sent via email to sjv_awards@sffanz.org.nz. They close on January 31st.

Secondly, the Hugos. I’m in my second and final year of eligibility for the Campbell Award. Trading Rosemary is eligible in the Best Novella category, and TME in the Best Short Story (admittedly, though, there have been so many fine short stories this year that I don’t have a lot of hopes for it there). Rosemary has been getting some positive attention from book bloggers and critics, however, so I’m keeping my fingers crossed for her. If you’ve read her and liked her, please consider nominating!

All in all, a relatively successful year – especially academically. Hopefully I can now focus more on other writing now that the beast that is my thesis (540 pages, people!) has been laid to rest.

KiwiWalks, Papers

Waikato and the Waste Land

Just a couple of disparate little things today. I’ve been out walking again – only a very lazy half day walk, but another step towards my bucket list goal of one day completing Te Araroa, the walking track that runs the length of New Zealand. I’ll probably be 70 before I finish it, but I don’t really care. I’m only doing it for fun, so racing along isn’t something I worry about.

Anyway, the portion I did today was part of the Waikato section: the Ngaruawahia to Hamilton stretch, which links up to the Hamilton City Traverse I did a few years back. Only about 12km, going alongside the Waikato river, so it wasn’t what you’d call strenuous. There’s a dual purpose cycle/walking trail (Te Awa) being built along the river here that’s part of Te Araroa but it isn’t finished yet, so I walked Te Awa when it was there and along the road bypass when it wasn’t. I’m not a particular fan of road walking – it’s very hard on the feet – but Te Awa itself was looking really impressive. Concrete, which is great for cyclists, not so much for walkers – but still beautifully done, with picnic sections stepped down to the water and scattered with nice solid tables. One day, when the whole thing’s finally done, I might try biking it.

The second is totally unrelated, except for alliteration purposes. A paper of mine, “Witnessing the Waste Land: Sight, Sound and Response in Edith Sitwell’s Three Poems of the Atomic Age” has been published. You can find it in volume 18 of UnderCurrents: the Journal of Critical Environmental Studies. If your library doesn’t have a copy of the print journal, you can find it (and my article) free online here.

It was a bitch of a paper to write. When it was done I was so glad I wouldn’t have to see those damn poems again (“Canticle of the Rose”, “Dirge for the New Sunrise” and “The Shadow of Cain” if you’re feeling particularly masochistic) but lately I’ve begun to think of another paper I could write about them.

Shoot me now.