Pop culture, SFF

Terry Pratchett, “The Shepherd’s Crown”, and the Fate of Granny Weatherwax

untitledSo, the last Discworld book is soon to be on the shelves. It’s a Tiffany Aching book too, which pleases me – I adore the witch books, and Tiffany’s a worthy addition. She is also, I suspect, a worthy successor.

I say that deliberately. I’m not involved with the publishers, I don’t know anything. But I suspect, I very strongly suspect, that in this last Discworld book Granny Weatherwax is going to die.

And alright, so I might be wrong. That happens on a fairly frequent basis so at this point, being wrong again isn’t going to make much difference.

I’d be glad to be wrong, even.

Granny’s my favourite character. The prospect breaks my heart – but I’ve suspected it for a while. Pratchett, as everyone knows, was dying himself – tragically ill. As much as I wanted him to live forever, pumping out books that were often lightyears ahead of anything else, he died. But, you know, he had a good life. And he knew he was going to die.

I think he also knew how much that would affect his fans.

I think he chose a proxy. Someone to take his readers by the hand and say “This happens to everyone. Even me. And it’s alright, because life goes on.”

I mean, can you imagine the conversation between Granny and Death? Sharp and funny and comforting all at once. And you know he’d be as nice as he could, not because of her, but because of little furry Meep. And all along, us knowing that it’s not Granny that’s actually talking to him, not really.

We just get to eavesdrop for a little while, that’s all.

There’s more to this than my mad suspicions and grasping at strings. And alright, so that “more” is a few very tiny extra strings, but I’ll take it.

I mean, look at that cover. Look at it. Tiffany is a downs girl – her heart belongs to the Chalk, to those gentle grassy hills. That is not the Chalk behind her. That jagged mountain landscape looks to me like the Ramtops. Tiffany’s going to the Ramtops, I reckon. Who lives there? That’s right, Granny.

And then there’s the title: The Shepherd’s Crown. If that’s not a reference to a witch’s hat I don’t know what is. Tiffany, who comes from shepherd stock, becoming a shepherd of more than lambs.

Why can’t she do that anyway? I hear you ask. Well, she can. Of course she can – most witches do. But to me, Tiffany has been, for some books now, set up as the leader of the next generation of witches. Just as Granny Weatherwax is known as the leader the witches don’t have, her young protégée has the same potential. I think Granny knows it. I think she’s been preparing Tiffany in her own way, smelling out the potential, tying up loose strings.

Making sure the new shepherd’s ready.

You can see it, can’t you?

I AINT DEAD.

“Yes, you are,” said Tiffany, folding the note and putting it carefully into her pocket. “But it’s alright.”

The cottage was painfully clean, and ready for whatever new witch was prepared to take it on. Tiffany suspected it would be empty for a long time.

“But not forever,” she said. The hat was warm and heavy on her head as she stood in the door for the last time. “I’ll miss you, Granny,” she said. “Goodbye.”

And it is alright. Because Pratchett is dead, and he’ll not come again – but other writers will. And they’ll be as trenchant and witty and compassionate and human. They’ll be Tiffany.

Because there’s always a Tiffany.

And I reckon we’re about to be reminded.

SFF, Short stories

The Best of Luna Station Quarterly…

Last year, my short story “The Absence of Feathers” was published in Issue 17 of Luna Station Quarterly. And that was cool! But now, LSQ has put out an anthology: The Best of Luna Station Quarterly: The First Five Years. And happily, “The Absence of Feathers” is included, available for the first time in print.

Of course, it’s not just me. Fellow Kiwi authors A.J. Fitzwater (“The Woman With Flowers in Her Hair”) and A.C. Buchanan (“Built in a Day”) are also included. As are two of my favourite short story authors, Chikodili Emelumadu (“Tunbi”) and Penny Stirling (“Tanith’s Sky”). Stirling, by the way, is the author of one of the finest short stories I’ve ever read (“Love Over Glass, Skin Under Glass”, published in Aurealis if you’re interested, and you should be. You really should be.).

So if you’re interested in a whole lot of fantastic short speculative fiction by women, this might be the anthology for you! You can check it out here.

Novellas, Science, SFF

The Ghost of Matter

Ernest_Rutherford_LOCI’m happy to say I’ve just signed the contract for a new novella! The Ghost of Matter will be published in September of this year by Paper Road Press.

If you recognise the title, you’ll know what it’s about: Ernest Rutherford, the NZ scientist described as the greatest experimentalist of his time. It’s from a quote of his – “I have broken the machine and touched the ghost of matter” – regarding his work in atomic physics. Because I tend to write sci-fi and fantasy, there’s also actual ghosts in it. Ghosts and atoms and eeriness…

The Ghost of Matter is the sixth and final story in the Shortcuts series by Paper Road Press. They’re doing a second track of literary works down the line, but these first six stories are themed round “Strange Fiction of Aotearoa New Zealand”. The first one’s already out: Mika by Lee Murray and Piper Mejia, and the rest will be released at the rate of one per month until mine shows up in September.

SFF, Short stories

Crow

ApexMag04Easter weekend is over and I didn’t win the Vogel or the BSFA, alas! But they both went to worthy winners so can’t complain. Really, the pleasure lay in being nominated at all.

But it’s a new week now, with a new story! “Crow” has just been published in the latest issue of Apex Magazine. It’s online and free to read, so have at it. It’s my first story in Apex, and I was very pleased to place it there.

“Crow” is the third of my future-fishing-in-New-Zealand stories to be published. It only barely references the first (“The Mistress of Fishes”) in its nod to Carnival time, and it doesn’t mention the second (“The Mussel Eater”) at all, though there is some similarity. The robots of “Crow” are ecological guardians of fish stocks, and they’re in that position because they can’t be bribed or threatened or convinced to allow over-fishing. In that sense they’re similar to the Pania of TME, whose remit is to look after marine mammals. (I’m slowly populating New Zealand waters with predators… it’s fun!).

But if the Crows can’t be convinced, they can be sabotaged. It’s also widely known they can be sabotaged… but it never goes undetected, and the consequences are terrible.

NZ actually has a quota system governing its fisheries industry now. It’s pretty good, and the aim is of course to protect fishing stocks for future generations. But it’s not perfect… not yet, anyway. It lacks creepy iron conservators, for one thing.

Novellas, SFF

SJV nomination for Trading Rosemary!

TradingRosemary_V02cIt’s been a good couple of weeks for nominations! My novella Trading Rosemary, published last year by Masque Books, has been nominated in the best novella category in the Sir Julius Vogel Awards. These are the New Zealand sci-fi/fantasy awards, named after a former prime minister of ours. Vogel ran the place in the late 19th century, and actually wrote a sci-fi novel of his own. It was a feminist sci-fi novel too, appropriate for the first country in the world to give women the vote.

Congratulations to all my fellow nominees, especially those sharing the novella category with me: Jan Goldie, Shelley Chappell, Celine Murray, Rolf Luchs and J.C. Hart!

Results of the voting will be presented at the close of the Reconaissance convention in April. Keeping my fingers crossed but really, I’m just pleased to be nominated.