It’s that time of year… when all writers start shilling their stuff for the upcoming awards season! And why not, I reckon.
I had nine eligible stories and one non-fiction book come out last year, but I think that’s genuinely too much to list, so I’m going to stick with a handful of the shorts and the non-fiction book.
The most important story I wrote last year, no question, was “The Stone Weta“, which appeared in Clarkesworld. If you’re considering nominating something of mine, please make it this. The idea for it was essentially ripped from the headlines – climate denialism sponsored by the state, and scientists working to preserve data across borders. Both of these things are happening, and cli-fi is an important tool in bringing climate change into the spotlight.
The best-written story, on the other hand, was “The Atomic Hallows and the Body of Science“, which appeared in Shimmer. This is the most literary of the things I had published last year, and continues my effort to write about science with a tinge of speculative fiction about it. If your nomination wants some snob-value to it, this is the story to go for.
On the other hand, if you’re a horror fan, I had two stories out near the end of last year which have both got a bit of positive attention. “The Ouroboros Bakery” from Kaleidotrope (my creepy magic food story) and “The Better Part of Drowning” in The Dark, which does its best to make sure you never eat crabs again.
If you’re looking for something non-fiction to nominate, my collected Food and Horror essays came out from The Book Smugglers at the beginning of December. The columns were actually published individually throughout 2016, mostly, but the collected edition has been substantially expanded, going from 40,000 to 60,000 words. Also, take a look at that gorgeous cover please, by Kristina Tsenova, who could be nominated for art if you’re so inclined.
That’s it! Thanks for your consideration, *cough* stone weta *cough*.
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